The death of Jocelyn Quivrin and the rise of the "new monsters"

The omnipresent mobile ’phone complete with camera capability can capture moments that many, and not just those in the media spotlight, might wish to forget.

A quick "click" and the damage is done with videos and pictures making their way to a wider audience via the Net as everyone and anyone becomes a "photojournalist".

But sometimes there has to be a limit, as would hopefully appear to be the case in the recent death of the French actor, Jocelyn Quivrin.

Just over a week ago Quivrin was killed in a road accident as he apparently lost control of his car at the entrance to a tunnel on a motorway in a western suburb of Paris.

Quivrin, who most recently appeared in the French film LOL (Laughing out loud) alongside Sophie Marceau, was just 30 years old.

Initial media reports suggested that he had been driving his Ariel Atom, a high performance sports car, well in excess of the speed limit especially as the vehicle’s speedometer had been blocked on impact at 230 kilometres per hour (143 mph).

Police however were more circumspect and their caution seemed to be warranted according to a report in the daily newspaper Le Parisien, which said that experts’ analysis indicated that he had been travelling at 97 kilometres an hour before the accident happened.

But the exact circumstances around Quivrin’s death remain unclear even though police have called for eye witnesses, and this is perhaps where the tale takes a more than slightly macabre turn with the presence of a mobile ’phone.

Because someone on the scene shortly after the accident occurred and before the emergency services arrived decided to use their ’phone to take some images of what had happened and then try to sell them to the highest bidder.

Thankfully though the French media didn’t take the bait. In fact among those offered the film there was outright condemnation.

"Pure voyeurism," headlined the French news website, Le Post, which also informed readers that a deputy editor-in-chief of a weekly magazine had turned down the pictures saying they had "been taken minutes after the accident, but there’s no question of our buying them and to be quite honest it’s appalling."

And from Jean-Claude Elfassi, one of this country’s most notorious paparazzi and therefore no stranger to controversy himself, came equally strong language and the description of such behaviour as that of ’the new monsters".

"This person is sadly like so many others," he wrote.

"He tried to negotiate (payment) for these pictures with my friend, Guillaume Clavières, the head of photography for Paris Match, a magazine that has published some of the biggest scoops of the century," he continued.

"But Guillaume didn’t want to sell his soul to the devil, and I can understand that."

While the pictures haven’t yet surfaced in the pages of a magazine, maybe it’s only a matter of time before an editor somewhere decides that it’s worth paying a euro or two in an effort to boost circulation figures.

Let’s hope not.